Not Well-Known 90s Songs with Great High Notes

Strong Female Voices of the 90s

“If You Love Me” by Brownstone shows off Nicci Gilbert’s top five-octave range with amazing high G5 notes that show a skill few hear in new R&B. The song’s big voice shifts and Gilbert’s smooth shifts from low to high make it a lesson in how to handle voice. https://getwakefield.com/

Not Seen Vocal Stars

“Better Than You” by Lisa Keith hits perfect high G5 notes with clear skill. At the same time, “Finally” by CeCe Peniston is full of great voice tricks, mixing strong voice throws with smart runs that led many who sing dance music.

Great Voice Skills

“Tender Kisses” by Tracie Spencer is known for its great breath hold at high notes, while “What’s Up” by Linda Perry pulls out pure feeling through long high notes. Shanice’s high whistle in “I Love Your Smile” changed how pop music singers use their voice.

Top Voice Shows

These songs are key shows of 90s voice power, with:

• Big voice parts
• Long high notes
• New whistle tricks
• Right breath hold
• Strong voice throws
• Smooth voice shifts

Each song shows the great voice skill that set the time’s best-hidden music jewels.

Not Seen Power Voice Women

90s Power Voice Women Not Well-Known

Best in R&B and Pop

The 1990s had top female singers whose big skill and deep feeling were often not seen.

Nicci Gilbert from Brownstone had a huge five-octave range in “If You Love Me,” on par with Whitney Houston.

Tracie Spencer showed great breath hold and deep voice runs in “Tender Kisses,” making a mark for next R&B stars.

New Voice Moves

Taylor Dayne brought strong rock-like voice throws to pop tunes in “I’ll Be Your Shelter,” while CeCe Peniston made new ways in dance tunes with smart voice tricks in “Finally.”

These artists made big voice moves like mixed voice and held wavering, setting high marks yet talked about. Karaoke Song Suggestions:

Shanice started clean whistle tricks in “I Love Your Smile”—ahead of moves by others.

Great Unsung Voices

Wild Orchid’s Fergie had great voice shift skills before big fame, most in “At Night I Pray.”

These singers were tops in big voice hold, smart pace, and true feeling—skills past today’s tech moves.

Their voice work set bars for top skill and real show in popular tunes.

Main Voice Wins

• Big moves in R&B and pop
• Big tune parts and tone mix
• New voice styles across kinds
• Great breath hold and voice power
• True feeling in shows

Past the Top Hits List

90s Great Hidden Voice Works Worth a New Look

Top Voice Shows in Less-Known Pop

The 1990s music days made great voice wins that went past just hit counts.

“Superwoman” by Lydia Murdock had a great voice reach with strong F5 notes, while “Hold You Tight” by Tara Kemp showed great voice runs up to E5, making new high skill marks.

New Rock Voice Moves

New rock kinds moved voice limits far past the old ways.

Linda Perry made new paths with 4 Non Blondes’ “What’s Up”, having long high notes that changed rock voices.

In the metal kind, Arch Enemy’s first work with Johan Liiva on “Bridge of Destiny” had unmet voice reach that led many metal singers.

New Turns in Music Now

New voice moves came from less-known songs that shaped today’s tunes.

“Make It Hot” by Nicole made a new mix of melismatic R&B and dance pop, hitting D5 notes in its middle part.

These less-known masterpieces made new voice parts still molding today’s artists, even if not big-name known.

Top Voice Skill Wins

• Big voice runs to E5 and F5 notes
• Long high notes in new rock
• Melismatic R&B mixed with dance bits
• New voice parts across kinds
• Groundbreaking metal voices in less-known scenes

Real Voice Talent Raw Gems

Raw Voice Talent Gems from the 90s Less-Known Works

No-Edit Top Voice

Deep in the 90s less-known music days, great raw voice shows came out that showed pure skill without studio fixes or auto-tune.

“Better Than You” by Lisa Keith shows strong voice throw skill, always hitting G5 notes with real clear skill, while Karyn White’s live show of “The Way I Feel About You” is a top show of voice fast runs and held strong notes. Karaoke : Interactive Vibe

Big Skill and Reach

“Hold You Tight” by Tara Kemp is a key song for big voice shift moves, moving with ease between clear high voice and strong low voice parts.

Live “Finally” by CeCe Peniston shows top breath hold and note rightness, really in hard E5 to G5 voice moves.

Real Tone and Voice Hold

The big thing in these less-known voice stars is their top tone clearness across wide ranges.

“Tender Kisses” by Tracie Spencer is a clear show of top voice power and breath help, clear in complex middle parts with no-fault low-to-mix voice moves.

These shows stand as proof of the power of real voice skill and hard work, making great results without tech help.

Less-Known Hits to Find Again

Hidden 90s Hits Worth Finding Again

Smart Making Master Works

“Don’t Cry” by Seal is a sign of great 90s making skills.

Sound work by Trevor Horn meets Seal’s great four-octave voice reach to make deep tones and not-usual note mixes that set new making marks.

The middle part really shows tech new turns still leading today’s makers.

Great Voice in New Rock

“Feelin’ Love” by Paula Cole shows great voice art through top high voice moves and soft high voice ways.

The song’s smart making puts a pin on open quiet with well-made echo and delay bits, making a big sound place that lifts Cole’s voice work.

Kind-Breaking Tunes

“December” by Collective Soul moves from common 90s rough rock ways with its big voice parts and deep tune back-and-forths.

The middle part has hard high notes that show the band’s music shift skills and tune power past their rock same-timers.

World Tune Mix

“Only Love” by Sophie B. Hawkins shows 90s tune tests through smart world tune mix.

The song’s blend of held high notes with group drum bits makes a one-of-a-kind sound mix that was before its time. This front-edge mix way needs a new thank in today’s tune talk.

Big Making Points

• Top tones
• Smart note mixes
• Right sound work
• Cross-world tools

Top Show Deep Cuts

Hidden Voice Show Gems of the 90s

Great Album Less-Known Tracks

Less-known album songs from the 1990s have some of music’s top voice shows, showing artists at their best skill.

These hidden master works show not seen voice hold, reach, and new turns that often top their big hits.

Power Women Voices

Mariah Carey’s “Looking In” from *Daydream* is a top show of voice skill, with clean high voice moves and big leaps without using her known whistle.

Whitney Houston’s “Higher Love” B-side gives great breath hold and clear high notes, while Céline Dion’s “To Love You More” shows smart fast runs and big held G5s.

Rock and R&B Tops

In rock, Chris Cornell’s “Show Me How to Live” shows huge skill through his four-octave range, mixing strong voice throws with held yells. The Ultimate Karaoke Bar:

The R&B world has jewels like Brownstone’s “If You Love Me,” with big tone mixes and high voice parts that show voice tops.

Top Skill Points

• Breath Hold: Held high.notes with perfect still
• Voice Reach: Big-octave shows across kinds
• Way Changes: Fast runs, strong throws, and right shifts
• Tone Rightness: Clear sound across voice parts
• Sound Power: Top sound and strength control

These shows stand as top marks of voice wins, needing close look and talk in the wider music chat.

New Rock Voice Tops

New Rock Voice Tops: 90s Rock Sound Change

Smart Moves in New Rock Voice

New rock singers fully changed singing in the 1990s through smart new ways that tested old marks.

Jeff Buckley’s smooth moves between low voice and high in “Grace” and Thom Yorke’s light sound in “Fake Plastic Trees” set new high marks for feeling voice show in new music.

Voice Reach and Real Show

The time’s top stars showed huge voice change skills while keeping it real.

Chris Cornell’s huge five-octave range in “Black Hole Sun” showed the high of new rock voice power, while PJ Harvey’s raw force in “Down By The Water” showed how new music stars could top old singing ways.

Less-Known Moves and Tone Mix

One-of-a-kind Voice Ways

The new music kind’s top voice new ways often came from its less-known parts.

Mark Lanegan’s one-of-a-kind low voice changes in Screaming Trees’ “Nearly Lost You” and the deep tone play between Layne Staley and Jerry Cantrell in Alice In Chains’ “Rotten Apple” showed how new music singers mixed top skill with raw feeling power.

Mark of New Rock Voice Ways

These smart shows set a new way for rock voice shows, mixing smart skill with real feeling show.

The push on true artist show over smooth perfection let singers test their full make and skill chance, changing modern rock singing for good.

Less-Known Top Octave Masters

Less-Known Top Octave Masters in New Rock

Great Skill in Now Rock

Skin, the strong voice of Skunk Anansie, changed new rock with her top mix of classic voice ways with raw punk push.

Her smart show in “Intellectualize My Blackness” shows an amazing four-octave range, making clear how skill rightness can lift rather than lessen rock’s wild heart.

Great Skill Meets New Rock Push

The song stands as a proof of the mix of stage voice hold and new rock push, with Skin’s voice moving with ease between low growls and high clears.

Her top of smart voice ways, like held wavering and sound note changes, set new marks for rock singers while keeping the kind’s real feeling heart.